Still not quite finished with that attic, would you believe. Right now I’m cleaning and repacking my old darkroom equipment. Not sure why. Did anything ever become so suddenly and so profoundly obsolete?
Maybe one day it’ll be retro-chic to take analogue pictures. After all, it had so many aspects you just don’t get with digital processing. Like handling poisonous chemicals in the dark. The gear seems OK, mostly. A few negatives chewn¹ by rats who apparently thought film was still made out of cellulose. No harm really, they were of a band I’d covered for a magazine in about 1984. Goth, but with lingering traces of New Romantic. Robert Smith Hair and Simon Le Bon pants. What I’m saying here basically is that the tooth-marks of rats have improved these images.
I wanted to be a photographer for several years. Right up until the day in fact that I finally understood it was real work. You’re running around with a box that has about fifteen knobs on it, trying to capture the moment. Set one wrong, and you lose. This is stressful.
And the costs! The film costs money, the developing costs more money. The printing costs really fantastic amounts of money. Eventually I did my own developing and printing, but it didn’t save much and it was even more hard work – especially as I’d had to settle for the cheapest, crappiest equipment going. This LPL 3301D enlarger didn’t even cast an even light, which is really the least you should expect. Possibly the worst thing ever made in Japan.
I don’t think of myself as a photographer any more, yet ironically I take far more pictures these days. Because I can. Since my camera turned into a phone the cost has become too small even to quantify – plus I actually have it when I see something worth photographing. And whether doing it more has improved my eye or just the odds, I think I get better results. Take that one up at the top there, from last April. That’s closer to being a good photograph than anything I ever took with a proper roll film SLR.
This is a new golden age of photography. And it happened so fast. Imagine if I’d appeared in my darkroom and said to my younger self “Some day soon you’ll take better pictures with a telephone.”
Actually I did, but at the time I just put it down to the chemicals.